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MONSOON SHOWERS & PHOTOGRAPHING DITA VON TEESE

American actress and model Dita Von Teese at the Kanuhura resort in the Maldives. Von Teese wears her own selection of 1940s and 50s clothing. ..Photo: Tom Pietrasik.Kanuhura, Madives..August 18th 2009 (Tom Pietrasik)Monsoon showers on the Maldives threatened my photograph-session with model Dita von Teese. Fortunately an occasional break in the weather allowed us to step out onto the beach. Maldives. ©Tom Pietrasik 2009

Most of of my photography work involves editorial assignments for newspapers, magazines and development agencies. During the ten years I lived in India, I was lucky enough to travel all over the South Asia region from Pakistani Kashmir to Sri Lanka, meeting ordinary people and documenting their lives. It is a great privilege to earn a living from this kind of work and it can be incredibly rewarding.

But a little variety is never a bad thing and occasionally I get asked to do something completely different.

And so it was just over two years ago when the picture editor of a British newspaper asked if I’d go to the Maldives to photograph Dita von Teese for a travel supplement. Dita von Teese was not a name I knew but a quick online-search confirmed the model’s renown and I agreed to the assignment.

American actress and model Dita Von Teese at the Kanuhura resort in the Maldives. Von Teese wears her own selection of 1940s and 50s clothing. ..Photo: Tom Pietrasik.Kanuhura, Madives..August 18th 2009 (Tom Pietrasik)Dita von Teese on the beachside platform I had identified as a sufficiently sheltered from the elements to allow for photographs. Maldives, ©Tom Pietrasik 2009

Disembarking from my sea-plane and onto a pier at Dita’s Maldivian resort a couple of day’s later, I was greeted by the hotel manager with some rather unfortunate news. Just hours earlier, while calling a friend back home in Los Angeles, Dita had been informed that the already-fragile health of her cherished dog Greta had deteriorated. At 16 years of age, it seemed Greta might not have long to live. Dita was quite understandably very upset by this revelation and announced she would return home the following morning to be at Greta’s side during the hound’s hour of need.

Monsoon clouds sweep across the Maldives during the month of August so it had been agreed in advance that I would be granted a three-day window of opportunity during which I could photograph Dita. I had calculated that this time-frame would provide me a reasonable chance of photographing in fine weather. But now a dying dachshund living on the other side of the world was inadvertently jeopardising my plans. As my bags were unloaded from the plane and the turquoise sea lapped gently at the shore, the sky darkened and a fine drizzle began to fall. My spirits began to fade.

American actress and model Dita Von Teese at the Kanuhura resort in the Maldives. Von Teese wears her own selection of 1940s and 50s clothing. ..Photo: Tom Pietrasik.Kanuhura, Madives..August 18th 2009 (Tom Pietrasik)As the rain poured outside, another portrait of Dita behind net drapes on the beachside platform. Maldives. ©Tom Pietrasik 2009

Unexpected events and unforeseen circumstances are an inevitable part of a photographer’s life. Such moments can be the source substantial stress and it is important to minimize the likelihood of them happening. But surprises also have the potential to transform a mundane moment into something very special. I held on to this positive thought as the hotel staff led me to my room.

With the rain setting in, my first task was to introduce myself to Dita and then look for suitable photographic-locations on the beautiful island. My immediate concern was to identify an environment that provided some protection from the elements while still offering us views of our tropical surroundings. I spotted a wooden platform situated at the top of a beach, it was covered by a canvas roof and draped with net-curtains. This, it seemed, was our best hope.

American actress and model Dita Von Teese at the Kanuhura resort in the Maldives. Von Teese wears her own selection of 1940s and 50s clothing. ..Photo: Tom Pietrasik.Kanuhura, Madives..August 18th 2009 (Tom Pietrasik)Dita takes advantage of a momentary lull in the rain to catch some sun. Maldives. ©Tom Pietrasik 2009

Small teams can be light on their feet and are often best able to respond to changing circumstances. So our little crew set to work: Dita with her suitcase full of vintage clothing, me with my camera and a member of the hotel staff holding a reflector. I discovered that Dita has a deserved reputation for professionalism and hard work and with her distinctive fashion-sense rooted in America of the1940′s and 50′s, we had no need for a stylist. While Dita perfected her look, I was free to concentrate my efforts on composition and lighting.

American actress and model Dita Von Teese at the Kanuhura resort in the Maldives. Von Teese wears her own selection of 1940s and 50s clothing. ..Photo: Tom Pietrasik.Kanuhura, Madives..August 18th 2009 (Tom Pietrasik)By evening the clouds had cleared and I was able to photograph Dita at an openair restaurant. Maldives. ©Tom Pietrasik 2009

The day’s setbacks seemed to provide us a sense of purpose and a determination as we worked our way through Dita’s substantial collection of vintage dresses and swim suits. An occasional lapse in the rain allowed us to venture onto the beach and with time the clouds thinned, bathing the island in a beautiful soft light – perfect for portraits. By dusk the clouds had dispersed sufficiently enough to conclude our session with some evening photographs of Dita dining at a beachside restaurant.

My photo-shoot of Dita might not have proceeded as planned but I like to think that our afternoon together proved that good photography is so often about making the best of whatever fate delivers. By the time I woke the following morning, Dita had left for Los Angeles and five days later – still oblivious to the stress she had caused – Greta the dachshund breathed her last.

You can see more of my photographs of Dita von Teese here.

American actress and model Dita Von Teese at the Kanuhura resort in the Maldives. Von Teese wears her own selection of 1940s and 50s clothing. ..Photo: Tom Pietrasik.Kanuhura, Madives..August 18th 2009 (Tom Pietrasik)Dita’s slippers lie on the wet sand. Maldives. ©Tom Pietrasik 2009

SHORTLISTED FOR VIRGIN MEDIA SHORTS COMPETITION

The twelve shortlisted entries of the 2011 Virgin Media Shorts competition have just been announced and I’m pleased to say that my film Saloon is amongst them. The version above features a couple of scenes – at the beginning – which were omitted from the competition so as to meet Virgin Media’s 2.20min time constraint.

Filmed over the course of a weekend in a lower middle-class suburb of New Delhi and featuring music by A.R. Rahman, Saloon offers a glimpse inside the Indian barber-shop: an institution dedicated to male-pampering.

With little room for modesty, this apparently private world plays host to very public displays of grooming and preening. Working to the sound of Bollywood theme-tunes emanating from a radio or the TV, barbers deliver customers to a world beyond their mundane, day-to- day concerns. As they recline in leatherette chairs, pampered clients appear oblivious to the barber’s sober efficiency as he cuts and trims, lathers and shaves, kneads and strokes.

Some arrive at these rose-scented salons intent on just a haircut but few leave without at least yielding to the pleasures of a coconut-oil head-massage. For many customers, a shave is incomplete unless accompanied by a facial and a fairness-treatment flawed if unruly eyebrows are left untamed by painful threading.

For those for whom such services offer little appeal, these uniquely male-preserves are also social gathering-places where friends and neighbours congregate to share news and offer one another advice. The intimacy of the space encouraging a frank and candid debate that would not likely be aired beyond the hospitality of the salon.

You can view all of those films shortlisted for the Virgin Media award here. There’s quite a mix of genres including Daisy Jacobs’ stylishly animated story of Don Justino De Neve and Ian Gamester affectionate portrait of his grandmother’s hearing condition.

In addition to the Grand Prize winner, to be announced in November, there’s the People’s Choice winner, decided by public vote. I hope you might consider voting for “Saloon” here.

You Tube have a full HD 1080p version of Saloon here. And for more on my move into film-making, do take a look at this earlier blog post.

DRESSED FOR A TANZANIAN WEDDING

A wedding party gather for photographs on the beach in Dar es Salaam...Photo: Tom Pietrasik.Dar es Salaam, Tanzania.June 25th 2011 (Tom Pietrasik)With the marriage ceremony complete, young members of a wedding party wait on the beach before it is their turn to be captured by the official photographer. Dar es Salaam, Tanzania ©Tom Pietrasik 2011

Last weekend, while taking time off between two assignments here in Tanzania, I took a drive north along the coastline of Dar es Salaam. As the cluster of high rise buildings that make up the city’s small commercial district thinned out and gave way to the sea-facing homes of the wealthy, I looked towards the coast and noticed a group of people gathered on the beach. Asking my taxi-driver to stop, I wondered over to take a closer look.

A wedding party gather for photographs on the beach in Dar es Salaam...Photo: Tom Pietrasik.Dar es Salaam, Tanzania.June 25th 2011 (Tom Pietrasik)Young men – members of a wedding party – wait on the beach before it is their turn to be captured by the official photographer. Dar es Salaam, Tanzania ©Tom Pietrasik 2011

As I approached the beach, it became clear that there were in fact several groups of people, each a wedding party being cajoled into position by a photographer. It is apparently a tradition in Dar es Salaam that a wedding ceremony be followed by a trip to the beach for photographs.

All of those gathered on the beach appeared decked out in their very best but it was one particular group, wearing coordinated red outfits, that demanded the attention of everyone else – and that included me as I approached them with my camera.

A wedding party gather for photographs on the beach in Dar es Salaam...Photo: Tom Pietrasik.Dar es Salaam, Tanzania.June 25th 2011 (Tom Pietrasik)With the marriage ceremony complete, young members of a wedding party wait on the beach before it is their turn to be captured by the official photographer. Dar es Salaam, Tanzania ©Tom Pietrasik 2011

FROM PHOTOGRAPHY TO FILM-MAKING

SALOON: A glimpse inside the world of the Indian barbers-shop where customers expect more than a just a haircut.  New Delhi, India. ©Tom Pietrasik 2011

Towards the end of 2010, while photographing for a commercial client in New Delhi, I had to negotiate the not-insignificant challenge of working alongside a film-crew. I’ve been in this situation several times before but on this occasion there were six of them – directed by an Academy Award winner no-less; my assistant Sunayana and I were well and truly outnumbered!

I mention this because, I was struck by the crew’s use of a Digital SLR to capture video. The film team may have comprised half a dozen people, but they were employing the very same tools that I have at my disposal as a stills-photographer.

In this fast-converging world of still and moving images, many photographers are making the move into film-making. Indeed, last year I participated in an excellent training-course provided by the NUJ (National Union of Journalists) equipping journalists with the necessary skills required to produce short documentary films.

Others too are providing hands-on coaching to photographers looking to develop their movie-making skills. Among those from the UK whom I’ve been watching are Philip Bloom – who maintains a very popular blog here – and Dan Chung, a photographer who now devotes most of his time to film, crafting sequences that combine video with interviews, narration and music.

For Chung, the portability of DSLRs, combined with their ability to capture HD movies with a shallow depth-of-field, has given rise to a new medium he describes as “Cinematic Journalism”. Chung is clear to distinguish this new discipline from the TV reporting you might see on the BBC or CNN and I think he is right to say that “there is simply no point in trying to replicate their work”. His DSLR News Shooter website is a good place to start for anyone interested in exploring the movie-making potential of DSLRs.

For my first outing into the world of cinematic journalism, I spent a weekend observing the very serious-business of male grooming on display in a lower middle-class suburb of New Delhi. The movie, entitled “Saloon”, provides a glimpse inside the intimate yet very public space that is the Indian barbershop. I hope you enjoy it!

THE OBLIGATIONS OF A PHOTOJOURNALIST

Anoopi (with paler green paisley-design sari) And others from the Saharia community challenge a Public Distribution System (PDS or government ration system) employee (on bike) about the failure to supply forty Sahariya people a ration card renewal...Anoopi from Gopalapura's Sahariya community in Shivpuri District, has no real household. She works a domestic servant for six Sikh families for which she receives Rs.20 (£0.25) from each per month. Anoopi also collects medicinal leaves and bark from the forest which is sold on to a broker. She is not aware of how much her labour is worth to the brokers but she earns about Rs.5-10 per bundle of leaves she collects...Sahariya are an indiginous tribe who traditionally lived in and off the forest. Residing in the north Indian states of Rajasthan, Uttar Pradesh (UP) and parts of Madhya Pradesh (MP) including Shivpuri District, they have never been granted proper land-owning rights. As a result they have endured a fragile existence, working as agricultural day-wage labourers they have been unable to plan for the future or save for hard times. The community suffer from malnutrition, low levels of literacy and under-representation in the administration and government. The Indian Forest Ministry accuse the Sahariya of trespassing government land and many Sahariya have been forced to migrate in search of jobs. Recent migrants to Shivpuri District in MP, including the Sikh and higher caste Gujjar community, have been more adept at claiming land rights, often at the expense of the Sahariya. Since the mid-1990s however the Sahariya have been granted the lease of land from the government allowing them to sow crops including wheat, chick-peas and soya beans both for the market and their own needs. Over this period, the Sahariya have become more organised and confident at confronting local prejudice and official indifference to their plight. Drought and poor harvests between 2000 and 2004 set the community back but since then they have (Tom Pietrasik)Members of the low-caste Sahariya community in Gopalapura challenge a government official (on bike) about his failure to supply them the ration cards to which they are eligible. Caste discrimination in local government undermines India’s ration or Public Distribution System (PDS). Gopalpura, Madhya Pradesh. India ©Tom Pietrasik 2007

I usually find presenter Paddy O’Connell’s over-familiar repartee on BBC Radio 4′s Broadcasting House programme distracting but I enjoyed his short interview on Sunday with British photographer Simon Norfolk for its insight into the views of a professional photographer working in the developing world. You can hear the interview 25 minutes into this link.

Simon Norfolk has spent the past ten years photographing in Afghanistan and currently has an exhibition of this work on show at London’s Tate Modern gallery until July 10th.

New homes in the barren landscape of Bokhra Kachar. ..The village of Bokhra Kachar, is home to 66 households from the adivasi (tribal) Baiga community. Displaced by the government to make way for the Achanak Marg tiger reserve, this community were forced to move from their old village 27km away two years ago. They were promised compensation, specifcaly each male over age of 18 would receive Rs.100,000, a proper house with toilet, and land at least equivalent in size to what they farmed before, access to PDS (Public Distribution System) and schools. Many families complain that their new land is significantly less fertile than the forest areas they used to farm so where they once went hungry for two lean months in the year, this period has now been extended to three months. Most of Bokhra Kachar's residents have only received Rs.50,000 in compensation and their new homes do not have toilets as promised. Though there is a local primary school, older children have to travel 8km. The nearest PDS is 5km away. There is no local public transport system. Men complain that there is little work in the new village...Photo: Tom Pietrasik.Bokhra Kachar, Lormi Block, Bilaspur District, Chhattisgarh. India.February 18th 2011 (Tom Pietrasik)A new tiger reserve forced sixty-six indigenous tribal Baiga families from their fertile forest land into this new village in 2009. They have not received proper compensation and complain of reduced crop-yield from the new land they cultivate.  Bokhra Kachar, Chhattisgarh. ©Tom Pietrasik 2011

In the interview with O’Connell, Norfolk explained that he no longer considers himself a photojournalist but instead, what he calls, a “la-de-dah” artist. He draws the distinction because he once worked for newspapers and magazines and now earns a living from the sale of prints at galleries. As Norfolk’s fine work continues to be primarily concerned with documenting people and landscapes, I’d argue that he is still a photojournalist at heart.

Children at the Jalhe Bogiya village Anganwadi (child-care) centre enjoy a hot lunch there six days a week. ..Lack of irrigation and food security lie at the root of the Maha Dalit community's problems in the village of Jalhe Bogiya. In the exploitative and divisive caste system, Maha Dalits are considered the lowest of the low. Ostracized by wider society (including the administration) illiteracy runs as high as 95 percent. Thanks to Oxfam-supported intervention, Jalhe Bogiya now has an - as yet incomplete - access-road built as part of the NREGA (National Rural Employment Guarantee Scheme). And an Oxfam-supported initiative in summer 2010 successfully lobbied the local administration to implement the provision of school midday meals which, by law is the right of every child. It is alleged that the Anganwadi (pre-school) centre administrator, syphons off food meant for young children. Jalhe Bogiya has several hand pumps supplying water but these do not work between the months of May to October. And though the village was connected to the electricity grid six months ago, power-supply is not reliable. Without land-ownership and only irregular agricultural work from which to earn an income, the Maha Dalits of Jalhe Bogiya frequently migrate in search of labour at stone breaking quarries, brick-kilns or undertake menial household work in the homes of the urban middle class in far-away cities. ..Photo: Tom Pietrasik.Mohanpur Block, Gaya District, Bihar. India.February 23rd 2011 (Tom Pietrasik) A child from the ostracized Maha Dalit (or Untouchable) community in Jalhe Bogiya village enjoys a hot meal at her local Anganwadi (child-care) centre. Malnutrition in India disproportionately affects low caste communities like the Maha Dalits. Bihar. India ©Tom Pietrasik 2011

Attempting to specify where photojournalism ends and art begins is a pretty pointless task. But in the case of Norfolk, I raise the issue because later in the Radio 4 interview, by explaining his approach to photography, Norfolk seemed to perfectly define the merit of photojournalism – as oppose to art – and the obligations that are incumbent upon all of us lucky enough to have been brought up in the Developed World but who work in much poorer countries.

After speaking candidly about the futile war in Afghanistan, Norfolk explained that,

“When you take a picture in these places, its a kind of contractual obligation… I’m going to take a picture of what you are and I’m going to try and do something. Something that will make the world a little bit different so that your situation will somehow change for the better. Somehow that responsibility lies upon me as someone who has articulacy, has the ability to travel around the world, has cash in their pocket, has a white skin, has a British passport, has a voice in the world…”

Anita Devi sits with her three children (LtoR) Sandeep, Sanjit and Deepak (eating the school-provided midday meal). Like many of the men from Jalhe Bogiya village, Anita's husband Sukhdev Mandal works at a brick kiln for 4-5 months a year. ..Lack of irrigation and food security lie at the root of the Maha Dalit community's problems in the village of Jalhe Bogiya. In the exploitative and divisive caste system, Maha Dalits are considered the lowest of the low. Ostracized by wider society (including the administration) illiteracy runs as high as 95 percent. Thanks to Oxfam-supported intervention, Jalhe Bogiya now has an - as yet incomplete - access-road built as part of the NREGA (National Rural Employment Guarantee Scheme). And an Oxfam-supported initiative in summer 2010 successfully lobbied the local administration to implement the provision of school midday meals which, by law is the right of every child. It is alleged that the Anganwadi (pre-school) centre administrator, syphons off food meant for young children. Jalhe Bogiya has several hand pumps supplying water but these do not work between the months of May to October. And though the village was connected to the electricity grid six months ago, power-supply is not reliable. Without land-ownership and only irregular agricultural work from which to earn an income, the Maha Dalits of Jalhe Bogiya frequently migrate in search of labour at stone breaking quarries, brick-kilns or undertake menial household work in the homes of the urban middle class in far-away cities. ..Photo: Tom Pietrasik.Mohanpur Block, Gaya District, Bihar. India.February 23rd 2011 (Tom Pietrasik)Anita Devi with her three children who benefit from a recently introduced hot midday-meal provided by their government school. Where properly implemented, the midday-meal system not only improves the health of children but also encourages school-attendance. Jalhe Bogiya village, Bihar. India ©Tom Pietrasik 2011

As a British photojournalist living and working in India for the past ten years, I am continually struck by the huge economic gulf that frequently divides my life and the lives of those I photograph. Of course photography alone is not going to change the world but when confronted by such stark disparity, Norfolk’s idea of a photographer’s obligation becomes vital. To me this is as good a definition as any for what makes a good journalist – writer or photographer.

By way of honoring my own obligations, I will be presenting some of my photographs around the theme of hunger in London this weekend as part of a seminar organized by the Free Binayak Sen campaign. My photographs – including those displayed here – will look at people who endure hunger in their lives. Also featured will be my photographs of the JSS hospital about which I have written before and on whose board Dr Binayak Sen sits.

A girl on a hot summer's evening at Shanti Busti in Lucknow. All the children from Shanti Busti above the age of six or seven work...The rag-picking community of Shanti Busti (literally "Peace Slum") which comprises 210 households have been living and working in Lucknow for the past twenty years. Originally from Assam, their language and culture differs from the wider population of Lucknow who speak Hindi. The low status of the rag-pickers' work together with their minority status as Muslims speaking Assamese makes them particularly vulnerable to stigma and discrimination. The rag-pickers also suffer insecurity of tenure over the land upon which Shanti Busti is built. Families pay a rent of INR100-150 (GB£1.25-GB£1.90) to a "landlord" who provides then some protection from eviction by the government. The community's status is further undermined by the fact that many in wider society falsely charge them with being illegal immigrants from Bangladesh. This effectively denies the rag-pickers claim to any of the rights and services afforded to other Indians including the right to vote. Without political representation the people of Shanti Busti rely on the work of Oxfam and its partners for the provision of basic services. ..Sahera Khatoon is ten years old. She lives with her two parents and five of her six siblings in a small shack built of discarded plastic sacking and bamboo poles. Sahera's father Sameer and mother Zohra arrived from Barpeta district in Assam 21 years ago. They and their families were poor landless labourers suffering the financial insecurity that comes with irregular work. Like many of their neighbours in Barpeta district, they were encouraged to make the journey to Lucknow by a refuge contractor who promised a regular income in return for their labour. It is a measure of the desperate circumstances faced by Sameer and Zohra that their life in Shanti Busti is preferable to the circumstances they left behind in Barpeta district. Collecting rubbish is (Tom Pietrasik, Tom Pietrasik, To/Tom Pietrasik) A girl on a hot summer’s evening in Shanti Busti, a slum in Lucknow. All school-age children from this rag-picking (garbage-collecting) community must work to fund their families’ monthly spending of which food constitutes the greatest expense. Lucknow. India ©Tom Pietrasik 2008

Binayak Sen, for those that are unaware, is an public-health doctor and campaigner on the issue of malnutrition. Dr Sen served over two years in prison accused – and later convicted – of sedition for his alleged support of the Maoist Naxalite insurgence in eastern India. Last month he was granted bail by India’s Supreme Court and released from prison. The Free Binayak Sen campaign demands that his name be cleared and that a proper investigation be conducted into his scandalous intimidation by the government of Chhattisgarh state.

If you are in London on Saturday May 14th, please come along and show your support. The seminar begins at 4.45pm at Dragon Hall, 17 Stukeley St, London WC2. I will be presenting my photographs at 7pm.

A man walks past a government emergency store of food-grains in Bilaspur. The store is not protected from elements which illustrates a lack of concern among the government toward the wellbeing of vulnerable and hungry communities. ..Photo: Tom Pietrasik.Bilaspur District, Chhattisgarh. India.February 17th 2011 (Tom Pietrasik)A man walks past a permanent government emergency store of food-grains in Bilaspur. The store is not protected from the weather – a stark indication that there is little concern in the government toward the wellbeing of vulnerable and hungry communities. Bilaspur, Chhattisgarh. ©Tom Pietrasik 2011